Apologies for the lack of updates…

… it’s just that I’ve been so busy, that I’ve not had chance to scan or link anything online.

I’m working on it, although there is absolutely LOADS of it! So stay tuned, as there are is a good range of things from Clash, NME and a few other bits, which I’m sure you’ll enjoy. (If I say so myself)

Take care,

Adam Adshead

P.s In the meantime, check out the Today I saw… page for some updates on that side of things.

83. Stevie Wonder – Live Review

Stevie Wonder – 09.09.08 – M.E.N Arena

The last time Stevie Wonder played in Manchester the Berlin wall still stood, Ronald Reagan was President of the USA and Chernobyl was a place no one had ever heard of – so tonight was always going to be special even before a note was played.

In absence of any support acts, a Mexican wave more than sufficed and gave those who took to their seats early, a wry sense of accomplishment. Then it began and for the next 2 hours 40 minutes straight, Stevie and his band were flawless and so proficient it was overawing. With a blend of classics and newer material, a perfect balance and ordering was struck to keep everyone thoroughly entertained.

Playing almost 30 songs with his 14 person accompaniment, he didn’t even break a sweat as he delved deep into his back catalogue. A journey through the ages of soul music from the ‘Little Stevie’ era straight through to his modern work, each track blossomed and got even the most introverted on their feet. From the slower earlier pace of ‘Ribbon in the sky’ building into a gallop of ‘Superstition’ and ‘Signed, Sealed, Delivered, I’m yours’, the pacing of the set list really helped the atmosphere and vibe of the show.

Then it was over in flash, but now we can all say we’ve seen Stevie Wonder live and that’s something special. As however you view the modern music scene there are very few artists who you can go and see, that you’ll still be talking about in 20 years time.

Adam Adshead

82. Plush – Album Review

Plush – Fed

Six years after its Japan only release – Chicago born Liam Hayes perfectionism is finally being released over here.

Seemingly never ending, ‘Fed’ is lavishly extravagant and bold, it delivers with pensive lyrics, pervasive orchestralism and visions of grandeur that actualise after the first few bars.

Its intricate power pop that unfolds with its multi-faceted dimensions of: melting guitars, boastful trumpets and piano that lords over you the same way a mechanic does when you need ‘work doing’.

Highly accessible the ballads on display are packed to the rafters with Savant-garde precision; while smoother bluesy-pop numbers are limitless as they conquer and waltz effortlessly through the middle order.

It’s hard to believe an album so elegant and cohesive could have been lost to the ages, so embrace it close like you might a loved one.

Adam Adshead

81. Howling Hex – Album Review

The Howling Hex – Earth Junk

Jumping onto a merry-go-round whilst it’s spinning, hearing the second half of a complicated yet intriguing anecdote, and arriving alone at a strangers party 2 hours late – are all scenarios that this album muster.

Its unrelenting waves of discord and unhinged brilliance are ambivalent to say the least. Pouting vocals recant all manner of distant and disconnected topics, whilst Guitar, synth and Hammond organ hover around that grey area between hypnotic and monotonous.

The maelstrom that they’ve created is hard to swallow at times yet it’s strangely alluring. Neil Hagerty is a man who documents on his website – ‘Stuff the wind carried into my yard’. If that gives you an idea of how this album might sound and you dig that, then come in, the water is warm although full of litter.

Adam Adshead

80. Rodriguez – Album Review

Rodriguez – Cold Fact

http://www.clashmusic.com/reviews/rodriguez-cold-fact

Awash with Psychedelic political folk songs the 1960’s saw Rodriguez drop through the crack in the floor of admiration.

Not doing things too differently to the likes of Bob Dylan, his first few albums flopped and he ended up working a string of jobs including at a petrol station and hard labour.

Now, 38 years on the album is being fished out of obscurity. Full of clever lyrics and catchy choruses the re-release is a long time in the making, after finding favour in the South Africa and then Australia in the 70s and 80s.

With a range of delectable songs, Cold Fact’s hippy overtones and zeitgeist of the 60s is nothing new, but if you’re tired of the computer age sounds of today, turn on, tune in and drop out.

Download: ‘Sugar Man’, ‘Jane S.Piddy’, ‘This Is Not A Song, It’s An Outburst: Or, The Establishment Blues’

Digg this, dig : Bob Dylan, Neil Young and anything political and trippy from the 60’s.

Adam Adshead

Biography work

79. Top 10: Festival Acts Of All Time

Askmen.com – Top 10: Festival Acts Of All Time

Photo Credit

Playing live shows in comfy arenas in front your own fans is one thing, but going that extra yard and performing in front of a mish mash of music fans in the pouring rain is quite another. Triumpant as Jay-Z was at Glastonbury, there is a longstanding tradition of acts who have come before him to prove time and again that they were made for the festival scene.

Come showtime, who has consistently wowed fans of all genres at festivals with their blend of: music, onstage antics, controversy and the all important “one to tell the grandkids about” seminal appeal. As we settle into the season of alfresco performances, we list our top 10 festival acts of all time.

Number 10

The Flaming Lips

Not as mainstream as many of the artists on this list, The Flaming Lips earn a place on here for their various insane experiments on the festival stage.
From fire and fireworks in the early days, to today’s combination of confetti, mirror balls, balloons, grown adults in rabbit suits and front man Wayne Coyne in a huge hamster ball surfing the crowd — their shows are not to be missed.
Festival fans alike can relate to such absurdity and their unique blend of evocative music and stage show presence secures their spot.

Number 9

The Red Hot Chilli Peppers

The Chillis are always responsible for bringing the funk to the party and it’s no difference where festivals are concerned. Having experienced more widespread recognition in recent years, the festivals they’ve played at have grown and grown. This is partly due to the success and popularity of their album By The Way and their ability to take that energy and pace from the studio to the festival stage. Currently on a hiatus, it might be a while until we see them again, but if we do, we’re guaranteed a non-stop whirlwind of funk rock.

Number 8

The Foo Fighters

The Foo Fighters are undoubtedly one of the biggest live Rock ‘n’ Roll bands on the planet and their live shows have helped them justify that reputation.
Catchy guitar laden songs that get the crowd pulsing are on the menu from start to finish and that approach hasn’t slowed up since 1995, when the group first formed.
Constantly bringing their A game and never disappointing, the Foo fighters haven’t amassed the controversy or quite received the household name acceptance others on the list have, but there is still time and that they could well climb the list in the future.

Number 7

Oasis

With the swagger and music to back up their reputation, Oasis have always been a highlight for the masses at whatever festivals they’ve played.
At the forefront of Britpop in the 90s, they have long been held close to the hearts of many festival-goers. With classic sing-a-long tracks in abundance and the self belief to drive it home, their live shows have always been a must-see.
It’s anthems like “Wonderwall“, “Live forever” and “Roll With It” that truly unite a festival crowd: that’s something that cannot be done easily and that if done properly – catapults an act into a list like this.

Number 6

Muse

Love them or hate them, Muse have become known for their big shows full of: big music and sounds and even bigger laser and lighting effects.
Because of this and also their crossover appeal with the more Rock and Indie festival crowds, the band have built a formidable reputation.
During their career they have won the Brit Award for Best Live Act and also garnered the same accolade, on more than one occasion, from the music magazines NME, Kerrang! and Q.
With rumours of a possible headline slot for next year’s Glastonbury and with new material set for release in 2009, more affirming performances and reputation building could be on the horizon.

Number 5

The Rolling Stones

Playing more shows than are apparently humanly possible, the Rolling Stones still keep rolling on and are no stranger to festivals or seminal moments.
Organising and headlining the Altamont Free Concert in Northern California 1969, the festival although brilliant on paper, turned into chaos when marred with violence.
By some accounts, the Hells Angels were hired for security and with 300,000 people in attendance, the crowd became unmanageable. Violence ensued and four people died, including one homicide. Many viewed the event as the end of the Hippy era.
In spite of that. Mick Jagger and company have gone on to appear at countless Festivals since, bringing their brand of high energetic stage presence and flamboyant Rock ‘n’ Roll to the masses. That included the highly praised two hour set they did at the Isle of White Festival in 2007.

Number 4

Nirvana

After rumours circulated of Kurt Cobain’s death prior to his appearance at Reading Festival in 1992, Cobain was wheeled on stage wearing a blond wig and hospital gown. This was a fitting start to Nirvana’s set and coming off the back of the success of their album Nevermind, the show would be their last in the UK.
At the height of Nirvana’s pre-suicide fame and riding the crest of the grunge wave, this show would later be voted as their best moment by fans in the NME music magazine. With the reverence Nevermind brought the band and in light of the tempestuous and short life Kurt lived, this festival appearance and the aforementioned antics hand Nirvana a slot in the top 10 Festival Acts Of All Time.

Number 3

Radiohead

Radiohead's Tom Yorke - Credit Pasquale Modica/Rex

With the ability to bowl their audience over with a titanium back catalogue of hits, Radiohead are always a festival favourite. Having played all the major festivals during their career, the popularity of their music shows no signs of waning.That career defining festival appearance could be just around the corner: Well, it had better be — as with the band’s “Carbon friendly” touring and unequivocal stance on green issues, their touring schedule may be scaled down to more local shows.

Number 2

The Who

Those who missed The Who play 2007 at Glastonbury “Won’t be fooled again,” but after 37 years in the making, it’s doubtful we’ll get the chance to see Daltery and Townsend in full flow again at the festival.
With appearances on both sides of the pond, The Who also famously played at the Monterey Pop Festival, at Woodstock in the 60’s and have played at various festivals since.
Responsible for some of the defining songs of the so called Mod rebellion, tracks like “My Generation” resonate as strongly today as they did all those years ago. It’s because of this that they will always be considered as one of the top 10 festival acts of all time.

Number 1

Jimi Hendrix

What a way to burn your legacy into the retinas of those watching, by capping off your show by setting your guitar on fire, then smashing it and throwing the remnants into the crowd. Who’d have thought that festival goers at the Monterey Pop Festival 1969 were watching Hendrix’s first major American show?
Nowadays smashing your instruments on stage is a regular occurrence for even the tamest harpsichordist, but at the time, Hendrix’s antics were powerful, so much so we’re still talking about them 40 years on.

Hendrix then went on to play legendary sets headlining Woodstock and (some say one of the best festivals ever) The Isle of Wight, 1970. The importance of this set was magnified a matter of weeks later when Hendrix died and it became his last ever show. Memories of Hendrix’s “Star Spangled Banner” performance at Woodstock, the iconic imagery of him burning his guitar and his untimely death at just 27, see Hendrix take the top spot in the top 10 festival acts of all time.

Knee deep in debate, hope you’ve got your wellies.

Delivering such influential and unforgettable moments when the eyes of the world loom large, counts for more than millions of fans or hundreds of festivals played.

Over time some of the acts above will no longer be considered as one of the Top 10 Festival Acts of All Time and naturally be replaced by others. Adding to the rich tapestry of music history in such a way is important and what makes lists like this ever debateable and ever changing.

Adam Adshead

78. Restlesslist – Album Review



Join me on a sinister voyage of discovery via the medium of instrumentalism.


With the use of trumpets, synths and a lot of clever guitar work, Restlesslist have set out to unnerve. It’s been a long time in the making, but they’ve achieved it quite easily.


Sounds of the fairground meet the circus in conjuring up an ominous cloud that casts over the whole album. Brief rays of optimism are forthcoming in the form of the swooning trumpets on ‘Butlin Breaks’, but they only act as a brief distraction to the aforementioned peril.


Irrefutably beguiling and comprehensively gripping, the Hitchcock style strings and obscure samples bridge the differing approaches – firmly shaking your hand in one beat, slitting your throat with a mortis key the next. Either way you won’t stop looking over your shoulder for the next few weeks. Brilliant.

77. Thomas White – Album Review



The Electric Soft Parade’s Thomas White unveils a whole host of beautiful airy vocal driven indie for the first half of the album, and then finishes things off with some provoking touches of instrumental brilliance.


Serving up a light starter of vocal led tracks that don’t fall far from The Parade’s tree, the sitar Brit-Pop instrumental on the ‘interlude’, with its rinky-tink piano is charming and hard to avoid playing again and again.


Marrying the sublime instrumentalism and vocal promise is unfortunately only a fleeting attainment and although that’s a little over critical it’s hard to avoid admitting. Although ‘Wartime Love’ comes along and briefly links the solid sounds and soft tender vocal (somewhat Richard Swift in stature), it’s truly delightful bygone feel is orphaned in a field with no one to hear its screams for similar promising tracks.

76. Pop Levi – Never Never Love – Album Review



Pop Levi are back from the future, via the past, with another glitzy portion of pop chivalry. Recorded in the studio famous for Jacko’s ‘Thriller’, it’s a Late 80’s – early 90’s showcase, equal parts Wacko and Jacko.


The 60’s girl group chorus structures, soulful overtones and a thick backbone of velvet grooves make for a truly wonderful album.


The punchy immediacy the first record had has somewhat gone, being replaced with more catchy memorable choruses and melodies, but this slow burn opulence means you’ll still be listening to this when Santa visits next year.


Pop Levi are one of the countries most underrated talents. They’re ahead of their time and for that should be celebrated. The album is full of ideas and the attention to detail is staggering.


A deep selection of songs that doesn’t repeat anything they have done before nor will record in the future.